![]() The Roon server and Dangerous Music Dbox+ are controlled via an Ipad. We offer fully fitted listening rooms in Durban and Cape Town to hear the products. There is also a Hear Technologies OctoHB4 for musicians Monitors. We have been importing top end hi-fi audio products and systems since 1997. The second display also has a PTZ camera to be able to see your artists while tracking. The whole system is powered by a fully loaded mac mini with dual 32” displays. This unit is fed by a Grace Design 801 mk2 8 Channel Mic Pre, a Phoenix DRS 8 MKII, Dangerous Music Monitor D Box + and Genelec 8040B’s. It is a 16X16 unit that is controlled by Logic for music tracking. The second unit is in the office/control room. This room has a pair of Spatial Audio X2 speakers and a Constellation Audio Stereo amplifier 1.0. The first Apogee is a 2X6 and is used as a D/A for the Roon Music Service in the listening room. One located in the listening room and the other in the adjacent office/control room. The A/V systems, designed by WSDG and installed by Pablo Arraya, include two Apogee Symphony MKII’s. It is fully isolated with room-within-room construction and uses a variety of acoustic treatments - including custom designed perforated wood paneling and fabric absorbers - to ensure an ideal acoustic profile for both listening and playing music. The 500 sq ft listening room has a minimalist design aesthetic in keeping with the overall look and feel of the dwelling. In addition to this he wanted full acoustic isolation so as not to disturb the rest of the house, and flexible A/V integration that would allow him to use it for personal recording projects and small performances. ProgramĪn audiophile with a musical family, the owner requested a minimalist room with excellent acoustics for listening, and film screenings. Designed and built in cooperation with Grandberg & Associates, the room incorporates the minimalist modern design of the overall dwelling while boasting comfortable seating, pristine acoustics, and integrated A/V equipment to make it suitable for a variety of musical experiences. Similarly, Magritte confers the qualities associated with rocks, such as heaviness and immobility, to the apple, creating a seemingly permanent monument to what is ordinarily a highly perishable foodstuff.This luxury listening room is the artistic and cultural center of a 18,000 sq ft private residence located in upstate New York. Le Chant d'amour, 1914, which was a seminal discovery for Magritte during the early years of his career, portrays inconsequential objects such as a ball or a glove as monumental symbols with mysterious and Magritte's transformation of a humble apple into an impressive boulder also reflects the enduring impact of the Italian painter Giorgio de Chirico's pittura metafisica on his oeuvre. In Magritte's paintings, the world's haphazard state of consciousness is transformed into a single will" His pictures disturb the elaborate compromise that exists between the mind and life. What happens in Magritte's paintings is, roughly speaking, the opposite of what the trained mind is accustomed to expect. By means of the interference ofĬonceptual paradox, he causes ordinary phenomena to inherit extraordinary and improbably conclusions. Suzi Gablik suggests that "Magritte's paintings are a systematic attempt to disrupt any dogmatic view of the physical world. I could say, between the hidden visible and apparent visible". This interest can take the form of a fairly intense feeling, a kind of contest, There is an interest in what is hidden and what the visible does not show us. We always want to see what is being hidden by what we see. ![]() Well then, here we have the apparent visible, the apple, hiding the hidden visible, the person's face. In a recent painting, I have shown an apple in front ofĪ person's face At least it partially hides the face. ![]() We no longer understand when we look at an apple its mysterious quality has thus been evoked. That show very familiar objects, an apple, for example, pose questions. The painter stated: "Those of my pictures The ambiguity of its role in the present scene invites the viewer to contemplate possible interpretations without ever offering a definitive meaning, sustaining a sense of enigma that the painter prized aboveįor Magritte, the apple came to symbolize this perpetual tension between the hidden and visible, and he even used it to obscure his own visage in some of his self-portraits. The apple is one of the most frequent and recognizable of Magritte's motifs, appearing in various guises such as a floating orb in the sky, a masked entity, and perhaps most famously hiding the face of a man wearing aīowler hat. ![]()
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